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MONGOL |
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MONGOL (Germany/Kazakhstan/Russia/Mongolia)
An epic about courage and resourcefulness follows, as the boy becomes a man (Tadanobu Asano), finds the girl whom he had chosen as his bride all those years ago, and gradually reasserts his claim to the leadership of his kingdom. Temudgin’s picaresque journey sees him descend to the depths of slavery before exacting his revenge and reclaiming the heights of power he glimpsed as a young boy. His saga plays out against the stunning landscapes of Central Asia, where tribal loyalties rule and violent warfare trumps other means of resolving differences. The grand canvas of the storyline clearly stimulates Bodrov, and he relishes the visual opportunities afforded in the scenes of realistic warfare. But he also finds ample time for the quiet moments between Temudgin, his wife and his beloved mother. Family forms the bedrock of behaviour, and Bodrov constantly returns to this idea in re-imagining a vital period of Mongolian history. A cinematic feast for the eyes, Mongol is an aweinspiring journey of the man who conquered half the world. |
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REEL REVIEW |
Reel Review Defined If you'd like to be a part of the Reel Alternatives team, please email us for more information. |
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The movie is violent, but you'd expect that from a movie about Ghenghis Khan. The battle scenes however are filmed without many special effects, as they say 'the old-fashioned way', which apparently makes for better slaying. The overall feeling is that the movie is EPIC, GRAND-SCALE, and IMPRESSIVE. Not bad for a night out at the movies. Reviews reviewed for the Reel Review were from these sites: |
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